Hi, I'm Elisha Walker. Designer and problem solver.

I redesigned the logo for Nizhyn Mykola Gogol State University in Ukraine. This project involved creating a new visual identity that updated the university’s image while still reflecting its history and academic values.

I created a cover design for the undergraduate guide at the University of Wolverhampton as part of a competition. After being shortlisted, my design was chosen as the winner and used in the final guide.

I designed a series of stamps for the 2026 Winter Olympics hosted in Italy, showcasing new sports and disciplines. The designs draw on Italy’s national colours, combining bold visuals with clear composition to capture the energy of the games.

I art directed a print magazine for Pigeon Magazine, showcasing the culture and creativity of the Black Country. I led the visual direction from concept to final production, developing a cohesive editorial design.

I designed a logo for the Wolverhampton Green Innovation Corridor, developing a visual identity that reflects sustainability, innovation, and forward-thinking urban development.

This brief challenged me to create a series of playful, engaging illustrations that promote healthy eating habits among children, with a focus on making fruit more appealing through visual storytelling.

This project was developed for a creative festival at Walsall College, where Kaycee Peakman and I collaborated to promote the event and increase engagement. We created a range of promotional materials, including posters, web banners, and invitations. Inspired by its summer setting previously known as “The Summer Show” we applied a cohesive seasonal theme across all designs.

I had the opportunity to join Jan McPeake on CCRFM, where we discussed kindness, storytelling, and creative work. Following this, I was encouraged to develop a series of animal character illustrations. These designs explore how animals can express personality and emotion in a fun, approachable way, with a focus on kindness and storytelling.

A series of posters based on well-known typefaces, exploring how typographic form can drive visual design. Each poster emphasises the distinct personality of the typeface through layout, design, and composition.

Walsall Trading Standards and Public Health commissioned a team of graphic designers to create a powerful campaign aimed at discouraging the younger generation from vaping and raising awareness of its harmful effects. We were provided with over 4,000 empty vape boxes seized by Trading Standards, which we then used to construct a large-scale model of a pair of lungs.

In this project, I was tasked with developing a game concept centered around a chameleon on a quest to regain its colors. This involved designing various levels, creating assets, and crafting a unique character to bring the story to life.

This project was created as part of the annual “Glove Competition,” which focuses on promoting workplace safety through visual communication. The brief challenged participants to design a poster based on key safety themes, encouraging clear and engaging messaging.